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Artwash: Big Oil and the Arts
Artist/Author: Mel Evans | Reference: P2872 | ISBN: 978-0745335889 | Type: Publication

Published on the fifth anniversary of the BP Deepwater Horizon disaster, Artwash is an intervention into the unsavoury role of the Big Oil company’s sponsorship of the arts in Britain.

activism Arctic Arts Council BP British Museum campaign Chevron corporate curating Deepwater Horizon ecology environment ethics ExxonMobil grassroots Greenpeace Gulf of Mexico health human rights intervention Liberate Tate museum National Gallery oil industry performance philanthropy political PR Shell Southbank Centre sponsorship Tate UK USA visual art

Culture Incorporated: Museums, Artists, and Corporate Sponsorships
Artist/Author: Mark Rectanus | Reference: P2103 | Type: Publication

Calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternative

This publication is referenced in the Platform Study Room Guide (P1820)

activism advertisement art art activism art institution business community corporate direct action ethics money morals museum Philip Morris sponsorship subversion

Privatising Culture: Corporate Art Intervention since the 1980s
Artist/Author: Chin-tao Wu | Reference: P1757 | ISBN: 978-1-85984-472-4 | Type: Publication

Chin-tao Wu, Privatising Culture: Corporate Art Intervention since the 1980s- Platform Study Room Guide (P1820)

advertising America art collection art funding art institution art trustees Britain conservatism corporate cultural politics economy government neoconservatism

American Mantra and Other Rituals
Artist/Author: Jose Torres Tama, Billy Atwell | Reference: D1162 | Type: DVD

A Spanglish music drive-by that rifles on media as religion. 10 tracks.

America censorship corporate gentrification George W Bush humour immigrant immigration Latino Latinx music nationalism New Orleans performance art sound art spoken word USA

The Arm’s Length Principle and the Arts: An International Perspective - Past, Present and Future
Artist/Author: Harry Hillman-Chartrand and Claire McCaughey | Reference: A0465 | Type: Article

Chapter from ‘Who’s to pay for the arts?’ Ethics. Policy. Platform. Study Room Guide (P1820)

business corporate cultural policy entrepreneur ethics free museums funding profit sponsorship welfare state