Catalogue > By Keyword > colonialism
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Life After Extinction
On the participatory performances of Robyne Latham.
Rhodes Must Fall: The Struggle to Decolonise the Racist Heart of Empire
When students at Oxford University called for a statue of Cecil Rhodes to be removed, following similar calls by students in Cape Town, the significance of these protests was felt across continents. This was not simply about tearing down an outward symbol of British imperialism – a monument glorifying a colonial conqueror – but about confronting the toxic inheritance of the past, and challenging the continued underrepresentation of people of colour at universities.
Part of the Library of Performing Rights (P3041).
Becoming Dangerous
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
Indian Legends 1
One of three catalogues published for thee exhibition As Public As Race, a series of performances organised in Summer 1992.
James Luna's performance was held on June 3rd.
My Name is Black
Performance at Studio 21, Kolkata. Part of Kolkata International Performance Arts Festival 2014
The Empire Remains Shop
Speculates on the possibility and implications of selling back the remains of the British Empire in London today. Based on a public installation in London in the fall of 2016, the book catalogues and develops the installation’s critical program of discussions, performances, dinners, installations, and screenings hosted at 91-93 Baker Street.
Part of the Library of Performing Rights (LPR) (P3041).
New African Dance
African dance and western programmers.
The Avant-garde: Race, Religion, War
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Border Brujo
A Performance Poem from the Series “Documented/Undocumented”.
Hermana
The artist's body is spit on and punished by an indigenous Guatemalan woman.
Part of the Library of Performing Rights (LPR) (P3041)
