Book documenting the work presented at the gallery Artspace, Sydney, in which for 3 days the artist remains locked in a cage with a Dingo. Engaging with the themes of Joseph Beuys’ work, Stitt provides a reflection on acts of arrival and colonial encounter in relation to aesthetic activity and cultural dialogue.
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).