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Native Strategies 1: So Funny It Hurts
Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5348 | Type: Digital File

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alice Cunt archive Asher Hartman audience Brian Getnick Carol Cheh club community Curt LeMieux Danyel Madrid documentation gallery Geoff Tuck Hans Kuzmich history Jared Baxter Kale Likover Lauren Weedman Melinda Guillen museum Nathan Bockelman Paul Outlaw performance art USA Zemula Barr

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’
Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

archive audience authenticity authorship brand capitalism consumer contract criticism economy labour law legislation market money performance art politics theatre theatrical trademark law

Shortlist LIVE! Issue 1
Editor: Heidi Backström | Reference: P4064 | ISBN: 9871916424371 | Type: Publication

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

audience black Broderick Chow capital choreography comedy Cuqui Jerez Dana Mitchel femme Finland hip-hop improvisation James Oscar Joshua Chambers-Letson KeijuaThomas Kuopio labour Mammalian Diving Reflex money participation performance Quim Pujol race Riikka Stewen sculpture

Awkwoods: Daniel Oliver’s Dyspraxic Adventures in Participatory Performance
Artist/Author: Daniel Oliver | Editor: Daniel Oliver | Reference: P4051 | ISBN: 978-1-9164243-5-7 | Type: Publication

Daniel Oliver is dyspraxic and he creates awkward participatory performance worlds.This book documents some of those worlds, as well as bringing together critical and creative responses  to them.

Aby Watson audience awkward Chloe Spicer dyspraxia Hamja Ahsan Jo Hauge live art Luke Ferris neurodiversity Nwando Ebizie O. Husch participation performance

Audition Project
Artist/Author: Miss High Leg Kick, Richard DeDomenici | Digital Reference: EF5335 | Type: Digital File

Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and re­created the opening audition scene from the 1985 film 'A Chorus Line'. 

Part of LADA Screens 12. The film was available online  9 ­- 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.

Abi Cunliffe Alexandrina Hemsley ambition Amy Kingsmill Anna Frisch Annie Siddons audience Barbara Brownskirt Bernadette Russell Bob Karper Boogaloo Stu Brian Lobel cabaret Caroline Wright Catherine Hoffmann Charlie Murphy Cheryl Dole Chris Dobrowolski Chris Gayford Christopher Green Claire Benjamin creativity dance Danielle Imara David Cumming Dicky Eton economy Fancy Chance Figs in Wigs Francesca Baglione funding Harold Offeh Holly Darton Ira Brand James Riordan Jamila Johnson-Small Jenny Hunt Jessica Latowicki Joseph Mercier Joshua Sofaer Kai-O Joyce Yung Karen Mcleod Katy Baird Kazuko Hohki Lennie Lewis Barfoot Lisa Lee Louise Orwin Lucy Hutson Lucy McCormick Mamoru Iriguchi Marcus Reeves Marisa Carnesky Matthew Bowyer money musical Nao Nagai Olivia Winteringham participation Paul Kieve politic Project O Rachel Gammon Rachel Porter re-enactment Redux film Richard Layzell Ruby Glaskin Sarah Blanc Sarah Moore Simon Casson Stacy Makishi Steve Nice Sue Frumin Sue Hart Susannah Hewlett Suzanna Hurst Tim Jeeves Tim Redfern Tom Marshman Ursula Martinez Veronica Thompson Victoria Melody Yoko Nishimura

Not And I
Artist/Author: Reynir Hutber | Digital Reference: EF5331 | Type: Digital File

A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.

Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.

Andy Warhol archive audience durational endurance fantasy fiction improvisation labour memory monologue performance reality Samuel Beckett

The Twenty-First Century Performance Reader
Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin

Sensual Excess: Queer Femininity and Brown Jouissance
Artist/Author: Amber Jamilla Musser | Reference: P4027 | ISBN: 9781479830954 | Type: Publication

Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.

Part of the Library of Performing Rights (P3041).

activism aggression appetite audience Audre Lorde authenticity black black women blackness body camp consumption critical race studies desire drag ecstasy epistemology excess feminism fetish flesh gender impossibility In Love installation Judy Chicago Kara Walker knowledge production melancholy mother Nao Bustamante Neapolitan otherness Patty Chang performance pleasure politics pornotroping psychoanalysis queer theory race racism selfhood sensuality sexuality spectatorship The Dinner Party vulnerability weeping white supremacy

Engaging the Audience
Artist/Author: Heather J. Denyer | Reference: A0861 | Type: Article

On Under the Radar Festival, 4-15 January 2017.

600 Highwaymen audience Brooklyn Museum collective Manual Cinema Mark Russell participation puppetry Rimini Protokoll site specific

A Ridiculous Look at the History of American Song
Artist/Author: Kelly Aliano | Reference: A0860 | Type: Article

On Taylor Mac: a 24-Decade History of Popular Music

audience community durational history interaction Machine Dazzle music Niegel Smith performance Ridiculous Theatre theatre time

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