What Would It Mean to Win?

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.

In german and English.

Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.

A rough cut of the first ever documentary about the life and work of Franko B. Part of LADA Screens 16.

On Kollwitz's reception in America, 1900-1960

Liquid damage on publication.

Books, catalogues, flyers and posters by PAErsche Action Lab (2010-)

In the oversize cabinet.

Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.

A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.

Catalogue published in conjunction with an exhibition at the Art Gallery of York University, September 6 – October 1, 1989.

Exhibition catalogue. 12/11 – 4/12 1987.  In German.

Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.

Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.