Unbound Zine: Xiaomei Going Overseas

The world’s biggest and only autistic green Drag Queen, Oozing Gloop is back and inspiring people to re-imagine the structures that govern their lives. Defying usual understanding of meaning and belonging, this world to come is run via a new economy of government – Commucracy!  (But what the fuck is Commucracy? Read the manifesto.)

Follow Oozing Gloop on this epic trip, where you’ll find psychoactive solutions for psychopathetic citizens trapped behind the very screens that are there to help them communicate. From the highest to the lowest Oozing Gloop will seek to link the universal to the particular to revive the democratic impulse and pose the communist hypothesis.

Commucracy Now! is a companion piece to Glooptopia!, Oozing Gloop’s latest theatre show, and is a direct challenge to the notion that people with Autism “struggle with social imagination”, and also to the simple fact it’s easier to imagine the end of the world than the end of capitalism. We have a wealth of apocalyptic omens, disaster movies and critique; but zero 21st century post-capital-culture. Oozing Gloop defies this with revolutionary zeal and determination to open radical new spheres of imagination and fantasy! Just as we got through that, we can get through this!

This video was screened as part of Land, Material, Memory at Tate Britain on Saturday 28 February 2026.

Three short documentaries observe the creative process of Hooligan Art Community (founded in Kyiv in 2019) as the theatre company deals with relocation due to Russia’s full-scale invasion of Ukraine. Spanning the period May 2022 to October 2024, the films represent three distinct stages in the artists’ experience of displacement.

The three documentaries in this collection were made by Liubov Sliusareva (from Donetsk) who joined Hooligan Art Community in 2020 as filmmaker and art director. The films were produced by Peter Cant, co-founder and artistic director of Hooligan Art Community. Cant, an artist and theatre-maker from the UK is based in Berlin. He began working in Ukraine in 2016.

A live art work and archive book exploring fetish, female eroticism, and symbolic violence through a spatial intervention at a KTV in Chinatown.

"TransMission: Sissy TV" is an exploration of the idea of trans archives. And auto-archive of the artist's body, work, costumes, props, hopes, dreams and memories accumulated over nearly three decades of creating queer work.

Research Highlights: Documenting and understanding experiences of backlash currently being received against LGBTQIA+ cultural programming and/or creatives in the UK’s cultural sector from 2020-2025.

All about Chinese feminist Queer diasporic sisters and publications. Pubis Magazine #2

All about Chinese feminist Queer diasporic sisters and publications. Pubis Magazine #1.

Por que falamos em arte nordestina ou arte nortista, mas raramente ouvimos a expressão arte sudestina para nos referirmos às produções do Rio de Janeiro ou de São Paulo, por exemplo? Essa pergunta, aparentemente simples, revela muito sobre o modo como o Sudeste foi historicamente alçado, e se impôs à condição de centro normativo da cultura brasileira. A produção artística dessa região costuma ser tomada como “a arte brasileira”, dispensando adjetivos regionais, enquanto as produções do Norte e do Nordeste foram historicamente enquadradas nas margens, exceções ou exotismos dentro desse panorama…

This guide celebrates the diversity and innovation of queer individuals in London, both historically and today. Delving into the cultural history of queerness in the capital, this book guides the reader through a welcoming spectrum of bars, clubs, shops, Pride events, charities, saunas and sex shops that cater to the LGBTQ+ community.

Chronic Illness sewage: a decade of bodily decomposition

During the sewage thaw of 2015, in the underbelly of Hollow way, neo fungoid infection spread into an abandoned bookstore in London. Hidden at the back, there was an orifice of c.analisation: a rotten mouth, warty sphincter, tranSSexual organ or cannibalistic skin pore, if not biotech digestion tissue. Opening the hole of the sewage orifice, a monstrous wound created a hungry suction of corporeal implosion, collapsing humanoid bodies into fetishist origami. Mycelial shibari splices connected to the internet by generating microbial AI that mutate humanoid biomorphs away from their digital screens into the escapetrap of our slum, animated within by mouldy manhole. Decade later, the inner membranes of Chronic Illness sewage live off vital traces of hundreds body acts, subterranean floods & bdsm fermentations into posthuman immersive theatrics against the society.

Fungi Media positions performance art of bodily mutations as a form of corporeal philosophy. Examining ecologies of rot and fungal decomposition, it outlines a theory of fungosexuality beyond sexual reproduction and binary gender roles. This theoretical perspective repositions queer sexualities in the context of the original meaning of the term ‘queer’, which is ‘rot’ – and which stands for a fungi-induced process of decomposition. With this, Fungi Media explores the foundational importance of rot for both breaking down and sustaining bodies, relationships and life as such.
The project was developed in a squatted sewage space in London, adopted by the author as a laboratory for mutant performance. The space hosts Chronic Illness events, where Internet-inspired body artists enter an environment populated with fungi. The interventions of human performers are incorporated into the rotten physiology of the space, which itself becomes a live entity. This book involves those events in the analysis of connections between media technologies and primal life processes. It also offers strategies for urban dwelling which transcend normative family life.

Read more at Open Humanities Press– Fungi Media