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| Artist / Author | Joe Kelleher |
|---|---|
| Reference | A0274 |
| Date | 2009 |
| Journal | Contemporary Theatre Review |
| Journal page | 367-368 |
| Type | Article |
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.
A short animation about the regionally extinct lion.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
An intimate collection of letters, poetry and postscripts by artists and writers that seeks to connect, exchange and witness through the action, idea or form of a love letter. The book builds on a programme that took place at Bios, Athens (2015).
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
On the production style of Goat Island.
Includes: It's an Earthquake in My Heart: Reading Companion; The Sea & Poison: Reading Companion; North True South Free; The Lastmaker
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
An extensive series on Lin Hixson and Goat Island.
Special issue with contributions that consider relationships between affirmation and performance.
*currently unavailable*
Special issue on time. The essays and artist pages assembled here are re-articulations of work presented at PSI 19: Performance and Temporality (25-30 June 2013).
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.