Privatising Culture: Corporate Art Intervention since the 1980s

Notes

Chin-tao Wu, Privatising Culture: Corporate Art Intervention since the 1980s- Platform Study Room Guide (P1820)

Artist / Author Chin-tao Wu
Publisher Verso
ISBN 978-1-85984-472-4
Reference P1757
Date 2002
Type Publication

Keywords

Similar items

Fauxthentication: Art Academia and Authorship (or the site-specifics of the Academic Artist)

Artist/Author: Bogdan Szyber | Reference: P4198 | ISBN: 978-91-88407-18-4 | Type: Publication

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

Dyketactics

Artist/Author: Barbara Hammer | Digital Reference: EF5385 | Type: Digital File

A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.

4 mins.

World AIDS Day Screening: Reza Abdoh

Digital Reference: EF5382 | Type: Digital File

Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.

this moment: missives from another world - thirty years of performances photographed by Bob Raymond

Editor: Marilyn Arsem | Reference: P4105 | ISBN: 978-0-9963200-1-6 | Type: Publication

A book on the photography of Raymond, who documented performance art in Boston for thirty years until his untimely death in 2012.

 

 

The Animation of Contemporary Subjectivity in Tino Sehgal’s Ann Lee

Artist/Author: Katerina Paramana | Reference: A0887 | Digital Reference: A0887 | Type: Article

Explores Ann Lee as the subject par excellence of contemporary neoliberal capitalism.

Trap Door: Trans Cultural Production and the Politics of Visibility

Editor: Reina Gossett, Eric A. Stanley, Johanna Burton | Reference: P4076 | ISBN: 9-780262-036603 | Type: Publication

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’

Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

Audition Project

Artist/Author: Miss High Leg Kick, Richard DeDomenici | Digital Reference: EF5335 | Type: Digital File

Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and re­created the opening audition scene from the 1985 film 'A Chorus Line'. 

Part of LADA Screens 12. The film was available online  9 ­- 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.