Audio CD of Symposium and performances for Performing Idea.Track List:
| Artist / Author | various |
|---|---|
| Reference | D1511 |
| Date | 2010 |
| Type | DVD |
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Examines fandom as a set of practices for approaching and writing about art.
Documentation of the event considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely.
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.