Find article in misc. folder 2
Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
Documentation of the evening celebrating the life and Live Art of the brilliant and inspirational artist Katherine Araniello who died on Monday 25 February 2019.
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Examines fandom as a set of practices for approaching and writing about art.
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.