This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
| Artist / Author | Aideen Barry |
|---|---|
| Reference | D1758 |
| Date | 2006 |
| Type | DVD |
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
A Troubles Archive Essay. Includes the programme for Performance Art + Northern Ireland, exhibition at the Golden Thread Gallery (13/8/2015 – 30/9/2015)
Part of the Library of Performing Rights (P3041).
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
A collection of written and visual responses to the works of British artist, Qasim Riza Shaheen. Essays, reflections and conversations, by eminent scholars, curators, artists and collaborators, consider the multiple aspects and the experience of his works.
In English and Urdu.
The story of a housewife who delves into the underworld of domesticity.
Exhibition programme. The LAB Gallery, Dublin, 18 June – 19 August 2018.
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
Published to accompany a major exhibition at Tate Britain, this fully illustrated catalogue explores the history of attacks on art in Britain, from the reformation of the sixteenth century to the present day, demonstrating how religious, political, moral and aesthetic controversy can become arenas for assaults on art.