Published to accompany a major exhibition at Tate Britain, this fully illustrated catalogue explores the history of attacks on art in Britain, from the reformation of the sixteenth century to the present day, demonstrating how religious, political, moral and aesthetic controversy can become arenas for assaults on art.
| Editor | Stacy Boldrick and Tabitha Barber |
|---|---|
| Publisher | Tate Publishing |
| ISBN | 978-1849760300 |
| Reference | P3454 |
| Date | 2013 |
| Type | Publication |
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Documentation of the evening celebrating the life and Live Art of the brilliant and inspirational artist Katherine Araniello who died on Monday 25 February 2019.
Documentation of the thank you event for LADA donors. Part of LADA at 20.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Explores fat activist language.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.