Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (20170)

Notes

Examines the embodiment of pain in Máiréad Delaney’s performance.

Part of The Library of Performing Rights (P3041).

Artist / Author	Kate Antosik-Parsons
Digital Ref	EF5315
Date	2018
Journal	The Polish Journal of Aesthetics
Journal date	April 2018
Journal page	79–96
Type	Digital File

Keywords

aesthetics affect body childbirth control gender human rights Ireland pain performance art politics representation reproductive justice violence women

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