Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (20170)

Notes

Examines the embodiment of pain in Máiréad Delaney’s performance.

Part of The Library of Performing Rights (P3041).

Artist / Author Kate Antosik-Parsons
Digital Ref EF5315
Date 2018
Journal The Polish Journal of Aesthetics
Journal date April 2018
Journal page 79–96
Type Digital File

Keywords

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