Catalogue > By Keyword > politics
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Complicating Authorship : Contemporary artists’ names
Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.
Decolonizing Solidarity: Dilemmas and Directions for Supporters of Indigenous Struggles
Interrogates the often fraught endeavours of activists from colonial backgrounds seeking to be politically supportive of Indigenous struggles.
Part of the Library of Performing Rights (LPR) (P3041).
Thought in the Act
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
Theatres of Learning Disability: Good, Bad, or Plain Ugly?
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Zona 3 festival catalogue
Festival catalogue, 14-16 October 1999, Timisoara. In Romanian and English.
Taking Receipts: A Log of Aggression for People of Color
Artist book: “here for you to take detailed logs of your everyday aggressions so that you can show off your receipts – proof.”
Because of Love: Franko B’s Story
Because of Love tells the story of the artist’s childhood in Italy in an orphanage and at the hands of his abusive family, his journey to London as a young man, his return to Italy many years later as an accomplished artist, and, in between, the story of his life and loves and his becoming an artist.
Impossible Glossary
What do we understand by collaborative artistic practices in Spain? After three years of research, this publication bears witness to the diversity of points of view and opinions by Spanish artists and key agents working in this field.
The aim in bringing these voices together in a single publication is that they will add to the already existing discussion in English and will influence future theoretical discourses more broadly.
