The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
An interview with The Guerrilla Girls. Liquid damage on publication.
Part of The Library of Performing Rights (P3041).
A journey through the history of disability – a history lesson with a difference.
Part of The Library of Performing Rights (P3041).
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.