Reflects on the exchange which took place in November/December 2010 at co-production house brut in Vienna. The artists worked for ten days as duo teams on site-specific performance projects which were presented in a two-day programme all over the brut venue in Vienna’s Künstlerhaus. In English and Russian.
A performance script based on the life stories of Cambodian artists who survived the Khmer Rouge Regime.
Work in Progress. Arolfini, Bristol. November 2010.
The first monograph of Chinese artist Wu Shanzhuan, providing a comprehensive review of the artist’s involvement in various media over a period of 20 years, from 1985–2005. It also brings to light a prolific body of raw material including writings and sketches by the artist which have not been published before. Artist’s biography and selected bibliography are included. With foreword by Norman Bryson.
Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.
Part of the Library of Performing Rights (LPR) (P3041).
Zhu Yu’s xingwei yishu (behaviour art) and his controversial art actions reflect and critique the economic transition in China, and his performances become part of the “violent capital” of the new aesthetic economy.
Find article (2 copies) in misc. folder 1. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
From the Subversive Affirmation edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).