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Red Humour International
Artist/Author: Wu Shanzhuan | Reference: P1467 | ISBN: 9889766426 | Type: Publication

The first monograph of Chinese artist Wu Shanzhuan, providing a comprehensive review of the artist’s involvement in various media over a period of 20 years, from 1985–2005. It also brings to light a prolific body of raw material including writings and sketches by the artist which have not been published before. Artist’s biography and selected bibliography are included. With foreword by Norman Bryson.

Asia Asian Art Archive China collaboration communism documentation essay Inga Svala Thorsdottir politics Red Humour International writing Wu Shanzhuan

Body and The East - From 1960s to the Present
Artist/Author: Zdenka Badovinac | Editor: Mika Briski | Reference: P0854 | ISBN: 961-206-019-3 | Type: Publication

Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.

Part of the Library of Performing Rights (LPR) (P3041).

Alexander Brener Alexander Melamid body art Bosnia Bosnia and Herzegovina Branka Stipančić Bulgaria communism Croatia Czech Republic Eastern Bloc Eastern Europe free speech GDR German Democratic Republic human rights Hungary Iara Boubnova Igor Zabel Ileana Pintilie Joseph Backstein Jurij Krpan Komar and Melamid Kristine Stiles Laibach Lithuania Ljubljana Marina Abramović Marko Peljhan Moldova Paul Neagu performance art Poland public actions Romania Russia Sanja Ivekovic Slovakia Slovenia street performance universal declaration of human rights visual art Vitaly Komar Yugoslavia

Violent Capital - Zhu Yu on File
Artist/Author: Meiling Cheng | Reference: A0130 | Type: Article

 Zhu Yu’s xingwei yishu (behaviour art) and his controversial art actions reflect and critique the economic transition in China, and his performances become part of the “violent capital” of the new aesthetic economy.

Find article (2 copies) in misc. folder 1. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)

capital capitalism China communism economy live art Meiling Cheng money performance art

Why are NSK and Laibach not Fascists?
Artist/Author: Slavoj Žižek | Reference: A0747 | Type: Article

From the Subversive Affirmation edition. In Slovenian and English.

Part of the Library of Performing Rights (LPR) (P3041).

activism communism criticism extreme right fascism human rights music performance art politics Slovenia theory universal declaration of human rights visual art

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