Points East conference papers

Notes

Papers from the conference, held in Glasgow in December 1990. The conference addressed the implications for the arts of the political and economic changes in Eastern Europe.

Editor Christopher Carrell, Jekaterina Young, Domnic d'Angelo, Diana Mutimer
Publisher New Beginnings
Reference P3471
Date 1991
Type Publication

Keywords

Similar items

Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Leaving Berlin : On the Performance of Monumental Change

Artist/Author: Nicolas Whybrow | Editor: Claire MacDonald | Reference: A0929 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Leaving Berlin : On the Performance of Monumental Change

Nicolas Whybrow

pp. 37 – 45

Tolu Agbelusi

Artist/Author: Tolu Agbelusi | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0926 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

Not so Green Capitalism : Disobedience Against Artwashing

Artist/Author: Fossil Free Culture NL | Editor: Mike Pope, Noëlie Audi-Dor, Amit Singh | Reference: A0922 | Type: Article

Article in Consented Issue 9 : Environment

White Rabbit: Celebrating ten years of Barnes' White Rabbit

Artist/Author: Spike Mclarrity | Reference: P4225 | ISBN: ISBN 9781527288232 | Type: Publication

Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.

Bobby Baker : Redeeming Features of Daily Life

Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Sex, Drag, and Male Roles : Investigating Gender as Performance

Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

Exercises For Solidarity As Performance Art

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

REVIEW - On Shared Resources : Performance studies publications from a pandemic

Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Stop. Rewind. Replay. - Performance, police training and mental health crisis response

Artist/Author: Natalie Alvarez | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A918 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg69-75

 

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80