The Basement Group

Notes

Artists' events, projects and publications curated, commissioned and produced from December 1979 to the present day. Found in miscellaneous article folder #5B

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Artist / Author The Basement Group, Projects UK and Locus+
Reference A0661
Date 2016

Keywords

Similar items

LADA Screens 13 -  Adrian Howells - documentation

Author: LADA | Digital Reference: EF5336

Documentation from the public screening of Adrian Howells' works featuring presentations from Adrian's collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online  18 July – 1 August 2016 on the LADA Screens Channel. 

Revisiting Genisis

Digital Reference: EF5334

Follows two nurses, both named Jackie, who create biographical slideshows for patients as a tool for reflection on posthumous digital legacies, withdrawal, friendships, cultural and social loss, and memory as identity.

Part of LADA Screens 11. The film was available online 16-29 May 2016 on the LADA Screens Channel. Includes a  compilation of episodes 1 – 7, split into two files.

Part of the Library of Performing Rights (P3041).

The Crossing of Innumerable Paths

Author: Guy Brett | Reference: P4049 | ISBN: 978-1-909932-531

The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.

Talking Dirty: Tongue First!: Recipes from the Mouth of the Thames

Reference: P4048 | ISBN: 978-0992777692

A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.

 

Performing Labour’s (Non)Futures Universal basic income and the monetary imagination

Author: Christian Riley Nagler | Reference: A0843

The universal basic income idea is, overall, profoundly performative, in that it attempts to model the ultimate pragmatism of wider social nets of generosity, and does so by representing the embodied conditions that might be brought into being by such generosity. In this way, the utopian heuristic of an unconditional, guaranteed income is said to be an ‘instrument of freedom’ and a ‘device for economic sanity’. The question is though, as is often the case: freedom and sanity for whom?

Part of the Library of Performing Rights (P3041).

Read My Lips publication

Reference: A0841

Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.

In misc. folder 7. 

Part of the Library of Performing Rights (P3041).

Site-Seeing in London: Observing Edge 88

Author: Linda Frye Burnham | Reference: A0839

On the Edge 88 festival in September 1988.

In misc. folder 7.

With For About 3: Making a Meal of It

Author: Heart of Glass | Reference: A0832

Publication on the annual conference about socially engaged art organised by Heart of Glass in St Helens. Participants were invited to collectively source local ingredients and create, serve and eat a meal.

Common Affairs - Collaborative Arts Projects

Reference: P3616 | ISBN: 9789639537675

Published on the occasion of the eponymous exhibition Ludwig Museum, Budapest, 30 January – 18 March.  Presents the programmes implemented during the four-year CAPP project.

In Hungarian and English.

Practice and Power

Reference: P3585

Programme for the event exploring questions of negotiation, exchange and representation in contemporary collaborative arts practice. (20-23 June 2018, Dublin.)