Essays on philosophical and aesthetic perspectives on painting, photography, music, architecture, performance and cinema.
|Artist / Author||Various|
|Editor||Andrew Benjamin, Peter Osborne|
Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
Structural Violence seeks to redraw the conventional map of violence against women. In order to understand violence as a fundamentally heterogeneous phenomenon, it is essential to go beyond interpersonal partner violence and analyse the workings of institutional and structural violence.
The volume’s thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war.
Contributors. Dena Al-Adeeb, Patricia Allard, Lina Baroudi, Communities Against Rape and Abuse (CARA), Critical Resistance, Sarah Deer, Eman Desouky, Ana Clarissa Rojas Durazo, Dana Erekat, Nirmala Erevelles, Sylvanna Falcón, Rosa Linda Fregoso, Emi Koyama, Elizabeth “Betita” Martínez, maina minahal, Nadine Naber, Stormy Ogden, Julia Chinyere Oparah, Beth Richie, Andrea J. Ritchie, Dorothy Roberts, Loretta J. Ross, s.r., Puneet Kaur Chawla Sahota, Renee Saucedo, Sista II Sista, Aishah Simmons, Andrea Smith, Neferti Tadiar, TransJustice, Haunani-Kay Trask, Traci C. West, Janelle White
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two ways of knowledge together.
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
The second volume of the landmark trilogy consent not to be a single being.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
A presentation of over 100 new works by the renowned Belgian painter.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).