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Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
After the leading organisations of radical sexual politics imploded or dissolved, the Gay Left Collective formed a research group to make sense of the changing terrain of sexuality and politics. Its goal was to formulate a rigorous Marxist analysis of sexual oppression, while linking the struggle against homophobia with a wider array of struggles, all under the banner of socialism.
Combining the energy of the early seventies feminist movement with the perceptive analyses of the trained theorist, this is one of the most influential socialist feminist statements of its time.
What do we understand by collaborative artistic practices in Spain? After three years of research, this publication bears witness to the diversity of points of view and opinions by Spanish artists and key agents working in this field.
The aim in bringing these voices together in a single publication is that they will add to the already existing discussion in English and will influence future theoretical discourses more broadly.
The art of sloth and reverie as oppositional (in)activities.
Documentation from the DIY 13 project, interrogating how re-‘creation’ impacts the creative process.
Short video made for the DIY 13 project, a briefly-lived modelling agency set upon depicting the fantasy-fiction average lifestyle that is celebrated in corporate imagery
Publication documenting a project in which three artists took up paid, part-time employment.
Part of the Library of Performing Rights (LPR) (P3041).
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s. Includes deleted scenes, interview with directors and a booklet with Damon Wise film notes.
Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights.
Documentation from GETINTHEBACKOFTHEVAN's DIY 10 project, which explored exertion, endurance, cliché and the epic using the musical Calamity Jane.
The project took place at Cambridge Junction. Part of LADA's DIY.