Spoken word cd.
catalogue number: HNTSAB 002
| Artist / Author | Stewart Home |
|---|---|
| Publisher | Sabotage Editions |
| Reference | D0359 |
| Date | 1998 |
| Type | DVD |
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
If you grow up in a world where wrinkles are practically illegal, going bald is cause for a mental breakdown, and women over size zero are encouraged to shoot themselves (immediately), what the hell do you do if you’re, gasp … disabled?
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
Programme for the 2016 Unlimited festival, celebrating the artistic vision and originality of disabled artists.
Southbank Centre, 6-11 September.
Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
An account of an entire year spent living provocatively. From successful campaigns against Royal Parks and multinationals, to arts and crafts with porn mags, from annoying estate agents, to raising cinema workers' wages, comedian and campaigner Mark Thomas stopped at nothing.
A double CD of selected items and several hour-long radio broadcasts produced and curated by Mel Brimfield, who spent a year and a half collecting, commissioning and honing submissions for 24 hours' worth of content.
Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.