Examines the integrative and interdisciplinary strategies of five contemporary artists stressing the ways in which their work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.
| Artist / Author | Darby English |
|---|---|
| Publisher | MIT Press |
| ISBN | 9780262514934 |
| Reference | P1777 |
| Date | 2007 |
| Type | Publication |
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
The second volume of the landmark trilogy consent not to be a single being.
Feminist science fiction that anticipates a post-patriarchal future.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.