This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
Through the summer of 2002, members of Forced Entertainment undertook a series of journeys, each travelling alone to locations in the UK to complete tasks determined only partially in advance.
This item is referenced in the Making Routes Study Room Guide (P1964).
Series of postcards as part of the UPRISING project and its accompanying documentation, EVIDENCE. From January 2008 to December 2008, Nicole Garneau embarked on twelve monthly performances broadly exploring the practice of revolution – UPRISING,. Performances were directed by Nicole Garneau and co-created by Nicole and performers. Events had the purpose of being live, public, temporal, and participatory stagings of possibilities for a humane world, and were marked by a commitment to flexible structure and sense of humor.Site specific, activism.