A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
Includes:
The Fables of la Fontaine 5 (2007)
Walking Around Planet (2005)
Suspended Moments (2007)
Toubabou… Toubabou… (2007)
Farafin a ni Toubabou (2007)
The Small Clouds Crossing the Sky of the Soul (2007)
Engages the virtually invisible subject of older women in western culture.
Part of Library of Performing Rights (P3041)
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
Examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery.
Acknowledging that the future of humankind is global, this volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance.
Part of the Library of Performing Rights (P3041).
A collection of poetry, ramblings, rants and images by artists who suffer with some form of depression and or anxiety
Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.