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Catalogue > By Keyword > live art

463 results | Page 13 of 47

Hybrid collection
Editor: Clare Bayley, David Hughes, Andrea Phillips | Reference: A0688 | Type: Article

All issues (pilot-6) of the “international cross-artform bi-monthly”.

1990s activism body art criticism dramaturgy Europe installation interdisciplinary intervention live art performance art theatre UK video art

Ouch: Pain and Performance
Digital Reference: EF5231 | Type: Digital File

A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.

Includes:

Marina Abramovic – On ‘Rhythm O’, 1974, 2013,  3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer  – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item,  2015, 1’57”

activism addiction age ageing animals audience blood blood letting Bob Flanagan body Cassils embodiment Ernst Fischer female female body feminism fight flagellation Franko B gender health illness inflicting pain jamie lewis hadley Kira O'Reilly live art Marcel·lí Antúnez Roca Marina Abramović Martin O’Brien medicine Nicola Hunter Oleg Kulik ORLAN pain participation performance Petr Pavlensky plastic surgery politics protest Regina José Galindo Rocio Boliver Ron Athey self-harm self-inflicted pain stage fight trauma Wafaa Bilal Wellcome Collection women

Personal Shopper: A Kirkgate Market Mis-Giude
Editor: Etheridge & Persighetti | Reference: P3072 | ISBN: 978-0-9932664-9-2 | Type: Publication

Artists Katie Etheridge & Simon Persighetti team up with shoppers, traders and market enthusiasts to create a pick and mix selection of ways to navigate and explore the market as trading place, social space and playing space. The Mis-Guide was originally produced for Compass Festival.

architecture audience community Compass Live Art Faceback Leeds live art North England participation performance place-making self-direction Wrights & Sites

Bbeyond 2017 Calendar
Reference: P3070 | Type: Publication

Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.

live art Northern Ireland performance

Perform, Experience, Re-Live BMW Tate Live Programme
Editor: Cecilia Wee | Reference: P3060 | ISBN: 978-1-84976-494-0 | Type: Publication

A limited edition publication exploring a series of innovative live performances and events.

Adrian Heathfield audience Boris Charmatz Branislava Kuburović Catherine Wood Chantal Pontbriand Chris Dercon Claire Tancons curating dance Defne Ayas documentation Helen Paris institution Jen Harvie Liu Ding live art Lois Keidan museum performance Philip Auslander Quarantine social act Suzanne Lacy Tim Etchells Turbine Hall

Bbeyond 2016 Calendar
Reference: P3065 | Type: Publication

Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.

live art Northern Ireland performance

Joss Carter documentation
Reference: P3052 | Type: Publication

Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.

contemporary dance dogma ethics fanaticism ideology live art morals performance art religion ritual sacrifice

Performance Lab: Ron Athey at Stanford University
Artist/Author: Lisa Newman | Reference: A0687 | Type: Article

Review of Athey’s Messianic Remains at the Performance studies International symposium.

AIDS body capitalism endurance HIV Incorruptible Flesh Jean Genet live art Our Lady of the Flowers pain post-punk ritual

DOLLS vs ROBOTS
Artist/Author: Marica Innocente | Reference: P3047 | Type: Publication

Innocente’s dissertation from Nuova Accademia di Belle Arti Milano.

In Italian.

body female feminism fetish gender Japan live art Manga performance sex women

new territories programme
Reference: P3056 | Type: Publication

Programme for the international festival of live arts, incorporating the National Review of Live Art (NRLA); 3/2-15/3 2003. Includes Adrian Heathfield on Goat Island, Lois Keidan on live art platforms and Marianne van Kerkhoven on Raimund Hoghe.

archive documentation Glasgow live art performance art Scotland UK

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