Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, Nevitt argues that studying violence through theatre can be part of a desire to create a more peaceful world.
LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocío Boliver: Times Go By and I Can’t Forget You
Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.
Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh
12:53
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
From LADA's DIY 11, which saw a group of artists set sail on a two-day yacht journey immersed in the elements, to look back at the Welsh landscape from a different perspective.
5:53
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.
Part of the Study Room Ambassador scheme.
Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.
Incudes a communal text, details on the event, reflections by Leo Kay, Laura Burns, Christine Brault, Isil Sol Vil and Marina Barsy Jane, and photos.
Part of the Study Room Ambassador scheme.
Armed with nine 1970’s tape recorders, Kevlin delivers a laboratory solo that revisits several unfinished conversations with himself.
Unti 24 gallery, 11 January 2015.
22:42
The artist ’s most audacious, ambitious and large-scale live work to date, combining improvised performance with live streaming technology, video and random interactions with audience members.
The Southbank Centre and Toynbee Studios (2014).
46′
This video was part of LADA Screens, and was available online from 9 September 2015 to 30 September 2015