An international collection offering glimpses into the intimate relations inherent in finding, remembering (or imagining), and creating an archive.
|Editor||Guilia Palladini and Marco Pustianaz|
Vanishing Points is a new anthology of cultural criticism, focusing on the making, watching and conditions of Live Art and performance in the UK today. Vanishing Points is edited by Salome Wagaine, with deputy editors Ava Wong Davies and Ben Kulvichit, and designed by Chani Wisdom.
On diffractive Co-conspiracy in Queer, Crip Live Art Production.
Performance Research pg 92-100, On Diffraction, Volume 25, No 5, July/August 2020.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
This book was produced as part of ‘Challenging Archives’, at. the University of Bristol Theatre Collection: a Wellcome funded project to catalogue and conserve the archive of the artist Franco B. Maddy Costa and Mary Paterson were writers in residence for the project from 2018-2020.
Mishandled Archive offers a way of imagining, creating and disseminating an archive.
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.