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A sampler.

Artist/Author: Quarantine | Reference: P4280 | Type: Publication

This book is a sampler of Quarantine’s work since we started in November 1998. Every word and image is from our archive. Some of the material originated with us, the rest was written or spoken with us, the rest was written or spoken by others. The pages may seem disparate, contradictory even; they are fragments of over 20 years, more projects, many voices.

 

We’ve realised over the years that our work is a form of portraiture. This sampler is a kind of self-portrait of Quarantine.

Imaginative Bodies: Dialogues in Performance Practices

Artist/Author: Guy Cools | Editor: Lisa Marie Bowler | Reference: P4059 | ISBN: 978-9492095206 | Type: Publication

Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.

New Media Dramaturgy: Performance, Media and New-Materialism

Artist/Author: Peter Eckersall, Helena Grehan, Edward Scheer | Reference: P3990 | ISBN: 978-1137556035 | Type: Publication

Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.

World-Making: Race, Performance, and the Work of Creativity

Artist/Author: Dorinne Kondo | Reference: P3758 | ISBN: 978-1-4780-0094-5 | Type: Publication

Theorizes the racialized structures of inequality that pervade theater and the arts.

Part of The Library of Performing Rights (P3041)

Theatre Criticism: Changing Landscapes

Editor: Duska Radosavljevic | Reference: P3533 | ISBN: 978-1472577092 | Type: Publication

Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.

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