Catalogue > By Keyword > criticism
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All of the Art I Experienced from 1.11.18 to 8.11.18 (and How it Made me Feel)
Excerpts from a zine. From the journal devoted to publishing the work of postgraduates, postdoctoral researchers, and entry-level academics in the fields of theatre and the performing arts.
The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’
Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.
The Crossing of Innumerable Paths
The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
Live art: Definition and documentation
Considers the inter‐disciplinarity of ‘Live Art’ as a field of work and as a performance practice.
From the British Live Art: Essays and Documentation issue.
Performance Session: Articulating the Pedestrian Body
Documentation from Satisfyin Lover and Showing Solo, two performances which opened the Thinking Bodies Conference.
Arts of the Working Class: the Americas Issue
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Black Performance Theory
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Theatre and Cancer
Explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of ‘Cancer Performance’.
Part of Library of Performing Rights (P3041).
