Second edition of the artwork exploring the potential of Live Art to bridge generations.
Artist / Author | Sibylle Peters |
---|---|
Publisher | Live Art Development Agency |
ISBN | 978-0-9935611-0-8 |
Reference | P3999 |
Date | 2019 |
Type | Publication |
shado Issue 2 : Global Womxnhood
Feature on poet and performer Tolu Agbelusi.
Article in Consented Issue 9 : Environment
Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?
-Referring to the changing face of British Live Art.
Research study by Catherine Jiang.
This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.
A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health
Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
Vanishing Points is a new anthology of cultural criticism, focusing on the making, watching and conditions of Live Art and performance in the UK today. Vanishing Points is edited by Salome Wagaine, with deputy editors Ava Wong Davies and Ben Kulvichit, and designed by Chani Wisdom.
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
In Other Words is a collection of urgent reflections, created by 49 artists over 4 months in 2020 exploring their hopes and fears for the future at a time of global crisis. Through prose, poetry, drawing, collage and photography it is a clarion call for change from a diverse group rich in wisdom, shared experience, and what it means to be marginalised in the UK.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
The Maternal in Creative Work examines the interrelation between art, creativity and maternal experience, inviting international artists, theorists and cultural workers to discuss their approaches to the central feminist question of the relation between maternity, generation and creativity.