shado Issue 2 : Global Womxnhood
Feature on poet and performer Tolu Agbelusi.
| Artist / Author | Tolu Agbelusi |
|---|---|
| Editor | Leyla Hussein, Hannah Robathan, Isabella Pearce |
| Reference | A0926 |
| Date | 2024 |
| Type | Article |
Next Wave Festival 2014 Magazine : New Grand Narrative
Pg. 32
Oral Histories of the Revolution, Tania El Khoury
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.
“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes
Designed and illustrated by Ishita Dharap.
shado Issue 4 : Youth
Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’ by Idman Abdurahaman.
shado Issue 2 : Global Womxnhood
Feature on filmmaker Oluwaseun Babalola.
shado Issue 02: Global Womxnhood
Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.
Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.
This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.
This article presents the research and performance practice behind ‘The Performing Solidarity Project’.