With the participation of Tomoe Shizune and Hakutobo. English and Chinese.For accompanying dvd see D0977.
Artist / Author | Gang-a-tsui Theatre |
---|---|
Publisher | Taishin Bank Foundation for Arts and Culture |
Reference | P1102 |
Date | 2006 |
Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
This volume, which originally appeared as a special issue of The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives.
Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by An invaluable new research tool, the publication is available free at events and online.
Part of the Library of Performing Rights (P3041).
Rrelates the history of La MaMa through its performance posters, capturing the irreverence and the aesthetic of La MaMa over five decades.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,