Chapter from ‘Who’s to pay for the arts?’ Ethics. Policy. Platform. Study Room Guide (P1820)
On making a case for arts subsidy in the face of austerity.
Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
Fourth edition of the journal of sexuality and erotics.
Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
A film documenting the unsanctioned live performance in Tate Britain: in the run up to the international climate talks in Paris as the artists invited Tate to reconsider their sponsorship deal with BP, and to begin to erase this scar from their skin.
Part of LADA Screens 9. The film was availble online between 30 April and 13 May 2016 on the LADA Screens Channel.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
On the Future of Imagination (FOI) Festival 9, Singapore, September 4–7, 2014.