This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
| Artist / Author | Matei Bejenaru |
|---|---|
| ISBN | 978-973-0-05122-3 |
| Reference | P1286 |
| Date | 2007 |
| Type | Publication |
Publication on the artistic research platform aiming to explore family relationships within the context of migration and to contribute to the development of telepresence (technologically mediated presence) as an artistic idiom.
Part of Library of Performing Rights (P3041).
Exhibition catalogue.
Includes:
The Fables of la Fontaine 5 (2007)
Walking Around Planet (2005)
Suspended Moments (2007)
Toubabou… Toubabou… (2007)
Farafin a ni Toubabou (2007)
The Small Clouds Crossing the Sky of the Soul (2007)
Doon Mackichan wanders, falls, swims and loiters with a few of the women making walking art. 8 October 2018.
A collection of programmes, materials and articles on the Pip Simmons’ performance.
Exhibition booklet; Leamington Spa Art Gallery & Museum, 30 November 2018 – 24 February 2019
Explores Englishness, pseudo public space and what it is to be considered an unwelcome migratory visitor in contemporary Britain through the eyes of a particularly pesky Muscovy duck.
Part of the Library of Performing Rights (P3041).
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Book review.
Looking back on the experience of directing the world premiere of Svich's play at the University of Missouri.
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.