Paper for LAB
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Publication made as part of a choreographic work investigating the relationship between theoretical, aesthetic and performing aspects of an artistic work. Includes two essays: ÆØÅ and Pointing back.
A toolkit with a mission to look to the future: to support long-term change across the arts sector by sharing knowledge, providing expert support, and encouraging take-up of an intersectional approach to equality, diversity and inclusion.
Part of The Library of Performing Rights (P3041).
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Provides a comprehensive overview of the development, theory and definitive characteristics of a rapidly developing and popular area of practice.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
Shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work.