Publication made as part of a choreographic work investigating the relationship between theoretical, aesthetic and performing aspects of an artistic work. Includes two essays: ÆØÅ and Pointing back.
|Artist / Author||Ann-Christin Kongsness, Solveig Styve Holte|
In 2014 Project O (Alexandrina Hemsley and Jamila Johnson-Small) began working with Charlotte Cooper and Kay Hyatt on a show called SWAGGA. The work is rooted in dance and draws on other performance traditions, including a live soundtrack by Trash Kit and original compositions by Verity Susman. This collaboration was remarkable because it featured untrained dancers with the kinds of political bodies – fat, queer, older – that are rarely treated as creative, expressive or worthy choreographic subjects. Over two years SWAGGA was refined and performed for audiences around the country. Katarzyna Perlak documented the process and in 2016 created SWAGGA: A Study On Camera, a creative response to the live performance. The result is an extravaganza of mess, antisocial emotions and intersectional feminist sensibility.
SWAGGA: A Study On Camera was first screened by the Live Art Development Agency in 2018 as part of the LADA Screens programme, a series of online screenings of seminal performance documentation, works to camera, short videos, films and archival footage.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
Documentation of the performance lecture by Swiss based Brazilian artist about their most recent work Trinta y Dois Igual a 5.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Documentation from the performance art conference, 9-16 July 2017. In German and English,
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.