Lil Binewski, born a Boston aristocrat, was in her time the most stylish of geeks. That is to say she made her living by biting the heads off live chickens in front of a carnival audience. This she gave up for doting motherhood, because she and her fairground-owning husband had a money spinning idea.
The Maternal in Creative Work examines the interrelation between art, creativity and maternal experience, inviting international artists, theorists and cultural workers to discuss their approaches to the central feminist question of the relation between maternity, generation and creativity.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
Eight issues of the interview zine about performance.
From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.
Part of the Library of Performing Rights (P3041).
The book brings Greta in her own words, collecting her speeches that have made history.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.