| Artist / Author | Talia Heiman |
|---|---|
| Reference | A0323 |
| Date | 2010 |
| Journal | Bomb Magazine |
| Journal date | 1905-07-02 |
| Type | Article |
Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
This comprehensive manual outlines copyright law in the UK with special reference to materials relevant to archive and records collections such as maps, legal records, records of local authorities, records of churches and faiths, most notably unpublished works. It also offers advice on rights in the electronic environment and the problems associated with rights clearance; and covers related areas such as moral rights and rights in databases.
Anthropologists, writers, philosophers, artists, sociologists and architects from around the world voice their views of the challenges facing society today. The content ranges from anecdotes to complex research projects. In Spanish and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Festival book; unlike a programme, it sets out in search of a different kind of closeness – and finds it through contributions written by programmed artists, artist portraits, theoretical comments dealing with this year’s leitmotif, “Wir schaffen das”, essays, reports or series of pictures.
Festival dates: 23 September – 16 October 2015.
In English and German.
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
Publication on the project which saw the artist working with the residents of Iwade from July 2015 to explore the village’s changing identity in the flux of the new build development. The project included workshops, residencies and live events hosted by artists, musicians and archeologists.
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
The artist’s account of being denied entry at the country of Bahrain’s border. Miscellaneous folder #4.
Special issue on theatre and the public space. Bilingual edition in French and English.
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings