Publication charting the development of the art scene in the East Village during the 70s and 80s
| Artist / Author | Steven Hager |
|---|---|
| Publisher | St Martins Pr |
| ISBN | 978-0312049768 |
| Reference | P2374 |
| Date | 1986 |
| Type | Publication |
On observing the Wooster Group process.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
This video was part of LADA Screens, and was available online between 12 and 26 October 2015.
A consideration of ‘new dance’ in response to writings of Luce Irigaray.
On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.
In misc. folder 7.
Part of the Library of Performing Rights (P3041).
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth. The publication presents transcripts of these tapes, documenting the artist's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.
Part of the Library of Performing Rights (P3041)