The Clearing is a vision of the future in the grounds of Compton Verney Art Gallery and Park. We’re building a living, breathing encampment, in the shadow of the former stately home, where people can come together to learn how to live in the world that’s coming our way.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
A report celebrating the successes of arts and cultural organisations in acting on national and international climate targets.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.