Publication on Joan Jonas’ experimental projects in the late sixties and early seventies
| Artist / Author | Joan Jonas |
|---|---|
| Publisher | Museu Dart Contemporani de Barcelona |
| ISBN | 978-848977144-4 |
| Reference | P2376 |
| Date | 2007 |
| Type | Publication |
On hybridity, drag and performance in Bolivian folklore
Performance Research pg 98-106, On Hybridity Volume 25, No 4, June 2020.
Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.
Text in English and Dutch
Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.
Booklet of the work of Andrés Galeano, Mart Stam Förderpreis 2011.
Paper leaves and other constructions
a reading companion to Always Already
compiled and edited by Karen Christopher & Tara Fatehi Irani
Always Already is an 8-hour performance installation by Karen Christopher & Tara Fatehi Irani, which uses materials, text, sound and movement to explore the weaving together of plant, human and machine, including human/plant and human/machine hybrids.
Paper leaves and other constructions is a 32-page booklet, introducing the themes and content of the project, and responding to many of the questions that arose in the creative process. Drawing parallels between a path through life and one through the making of a particular work of performance, the booklet answers the question “how did you do that?”
The booklet includes contributions from Karen, Tara, Payman Kassaei (Professor of Mathematics, Kings College), Felipe Ribeiro (performance artist and researcher), Omikemi (poet), Eirini Kartsaki (performance writer and teacher), and an interview with Henry Dagg (sound sculptor and builder of experimental musical instruments).
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
Issue No 8 of Substanz featuring the work of Judith Huber.
Text in English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue no 5 of Substanz featuring text by Marc Mouci.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.