Brings together commissioned pieces by 50 artists and theorists whose works have shaped steirischer herbs over the past decade.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Seventh issue in the Urban Pamphleteer series, gathering perspectives, provocations and vignettes on London’s LGBTQ+ night-time spaces
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
A toolkit of methodologies; part of Let’s Get Classy: the Study Room Guide on Live Art, class and cultural privilege.
Part of the Library of Performing Rights (P3041)
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Programme for the event exploring questions of negotiation, exchange and representation in contemporary collaborative arts practice. (20-23 June 2018, Dublin.)
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
Brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.
Part of the Library of Performing Rights (LPR) (P3041).