With For About 3: Making a Meal of It

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Artist/Author: Christine Bacon | Reference: P4208 | ISBN: 978-1786820662 | Type: Publication

Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.

Artist/Author: Rajni Shah | Reference: P4203 | ISBN: 9781538144299 | Type: Publication

Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.

Artist/Author: Emma Dabiri | Reference: P4201 | ISBN: 978-0-141-99673-8 | Type: Publication

We need to talk about racial injustice in a different way: one that builds on the revolutionary ideas of the past and forges new connections.

In this incisive, radical and practical essay, Emma Dabiri – acclaimed author of Don’t Touch My Hair – draws on years of research and personal experience to challenge us to create meaningful, lasting change.

Artist/Author: Nate Silver | Reference: P4202 | ISBN: 978-0-141-97565-8 | Type: Publication

In The Signal and the Noise, the New York Times political forecaster Nate Silver, who accurately predicted the results of every state in the 2012 US election, reveals how we can all develop better foresight in an uncertain world. From the stock market to the poker table, from earthquakes to the economy, he takes us on an enthralling insider’s tour of the high-stakes world of forecasting, showing how we can all learn to detect the true signals amid a noise of data.

Editor: Keelin Murray, Ailbhe Murphy, Áine O’Brien, Áine Crowley | Reference: P4200 | ISBN: 978-1-869895-14-3 | Type: Publication

Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.

Editor: Aislinn Evans | Reference: P4183 | Type: Publication

Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).

Artist/Author: Guillermo Gómez-Peña | Editor: Emma Tramposch, Balitrónica Gómez, Elaine A. Peña, William Stark | Reference: P4170 | ISBN: 9780367219253 | Type: Publication

Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.

Artist/Author: Lucy Lopez, Alba Colomo | Reference: P4167 | Type: Publication

“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”

The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.

Edition 60/70