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Life After Extinction
On the participatory performances of Robyne Latham.
How We Talk About The Work Is The Work Performing critical writing
This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.
How to Talk About Gender Equality With a 9-year-old
On performing feminist values for children.
Curators’ Series 11 programme
For the 11th edition of DRAF Curators’ Series, guest curator Victor Wang 王宗孚 launches the Institute of Asian Performance Art (IAPA), an international network to deepen the awareness and understanding of the history of early performance art in Japan, Korea, China and Taiwan.
Mesearch and the Performing Body
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
The Adam Reynolds Memorial Bursary
Celebrates the ten year anniversary of Shape Arts’ award, set up in memory of the sculptor.
Part of the Library of Performing Rights (P3041).
The Architect-Walker 2018: A Mis-Guide
An anti-manifesto for changing a world while exploring it; a tool for playful debate, collaboration, and intervention.
The Last Known Pose: Essays and Reflections on the Works of Qasim Riza Shaheen
A collection of written and visual responses to the works of British artist, Qasim Riza Shaheen. Essays, reflections and conversations, by eminent scholars, curators, artists and collaborators, consider the multiple aspects and the experience of his works.
In English and Urdu.
Common Affairs - Collaborative Arts Projects
Published on the occasion of the eponymous exhibition Ludwig Museum, Budapest, 30 January – 18 March. Presents the programmes implemented during the four-year CAPP project.
In Hungarian and English.
Performance Now: Live Art for 21st Century
This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium.
