The Dance cub as the 'happening'.
On the production style of Goat Island.
Highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting.
On the Group's Brace up! and Fish Story.
Review of Jan Faber's piece, performed at the ICA.
The first book bringing together writing and documentation on Martin O’Brien and marking ten years of his work.
Part of the Library of Performing Rights (LPR) (P3041).
Develops and encourages you to inhabit — through narratives or spatialized experiences — Deep Maps of places you want to understand in a robust, inclusive, and expansive ways, which is not possible with traditional mapping.
Coinciding with a solo exhibition which presented new pieces alongside selected earlier mixed media works from the past decade, this publication contains contextual and experimental texts by writers, artists, academics.
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.