Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.

Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).

Includes Rick Moody’s extensive interview with Odyssey Works team members as well as six practical proposals that present a radically new unified theory of art making addressing immersivity and interactivity, experience design, the Heisenberg Uncertainty Principle as it relates to documenting artwork, and intimacy and empathy with the audience.

The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.

An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.

Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman. 

A coming-of-age memoir about growing up in Cold War–era New York in a dysfunctional family of first-generation Jewish immigrants.

On the occasion of a major exhibition, performance, and film premiere, this book considers Matthew Barney's epic seven-year project, an odyssey of death and its mythologies. The book also includes contributions by Jonathan Bepler, Homi K. Bhabha, Hilton Als, as well as facsimiles of the playbills produced for the related live performances.

Brings together the action art and performances of the Belgian artist from the 70s to the present: drawings, thinking models, collages, films, photos and other documentation.

Anne Bogart’s collection of essay explore the storytelling impulse and asks how she, as a “product of postmodernism”, can reconnect to the prima act of making meaning and telling stories.