Catalogue > By Keyword > Guillermo Gómez-Peña
63 results | Page 4 of 6
A Proposal for ‘the worst public artwork’ contest - part 1
Artist pages in Performance Research.
Performance Lecture Archive: Live Culture Lecture series
Documentation.
Artivisme: art, action politique et resistance culturelle
Publication in French
Live Culture Symposium: Performance and the Contemporary
Lecture given by Guillermo Gomez Pena from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
On Edge: Performance at the End of the Twentieth Century
Brings together Carr’s writings to offer a detailed and insightful history of performance from the late 70s to today.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
The Many Headed Monster: The audience of contemporary performance
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.
Interfaces of Performance
The Permanent Process of Reinvention
Body Events and Implicated Gazes
La Pocha Nostra: Creating Alternative Artistic Networks
Find article in misc. folder 2
The Live Art Almanac Vol 1
A collection of writing about and around Live Art. See also, The Live Art Almanac vol. 2, catalogue ref. P1696. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
