Brings together texts from a variety of sources representative of the most engaging, provocative and thoughtful writing about Live Art.
*currently unavailable*
Festival documentation. 2nd-21st March 2010
Part essay, part chronicle, and part performance text about the new “global” culture, its main risks and contradictions, artistic and pop cultural products, major philosophical trends, and political dilemmas.
Artist pages in Performance Research.
Documentation.
Publication in French
Lecture given by Guillermo Gomez Pena from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Brings together Carr’s writings to offer a detailed and insightful history of performance from the late 70s to today.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.