Artist pages in Performance Research.
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
Taking place on 12 July 2007, SWIM was an open invitation, all access swim across London from Tooting Bec Lido to Hampstead Heath Ponds.
2014, 31’ 19”
This video was part of LADA Screens, and was available online between 17 August and 31 August 2015
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Presents Woodman's work from his entire career, including artists' portraits, studios, exhibitions, installations and performances, collaborations with artists, social documentation and more recent and personal works.
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.