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Impossible Glossary
What do we understand by collaborative artistic practices in Spain? After three years of research, this publication bears witness to the diversity of points of view and opinions by Spanish artists and key agents working in this field.
The aim in bringing these voices together in a single publication is that they will add to the already existing discussion in English and will influence future theoretical discourses more broadly.
Michael Snow – Wavelength
An illustrated study of the “zoom film,” which has become a touchstone for art and film studies.
Ecologies of Theater: Essays at the Century Turning
Elaborates a new perspective on performance that links ecology and aesthetics.
On Innovative Performance(s): Three Decades of Recollections on Alternative Theater
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
Acting Out: Feminist Performances
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
The Body in Film
Catalogue to accompany a film series held at the Art Gallery of Ontario (1989).
How Institutions Think: Between Contemporary Art and Curatorial Discourse
Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us.
Shy Radicals: The Anti-systemic Politics of the Introvert Militant
This anti-systemic manifesto, a quiet and thoughtful polemic, is a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia.
Part of the Library of Performing Rights (LPR) (P3041).
Dream Audience
Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.
Choreo-Graphic Figures: Deviations from the Line
Stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation as different modes of practice enter into dialogue, overlap, collide.
