n.paradoxa's 12 Step Guide to Feminist Art, Art History and Criticism invites readers to ask themselves difficult questions about the visibility of women artists, stereotypes of women artists in canons of art history, and to think about different theoretical approaches to a feminist art history of women artists. It offers further reading on a number of issues including: images of women; women as cultural producers; the politics of feminist art; and distinguishing between art in/of the feminine and feminist art.
This Article can be found in, Miscellaneous articles folder 5A
A retelling the history of art practice and exposing the ways in which neoliberal norms and values have seeped into every aspect of our lives.
Calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternative
This publication is referenced in the Platform Study Room Guide (P1820)
A survey of artist-run art academies and education programmes, with the contribution from: The Silent University, The School of Global Art, The External Program, MASS Alexandria, Islington Mill Art Academy and SOMA.
Fusco undermines notions of a monolithic Latino identity by examining the role of race in a broad spectrum of Latin American, U.S. and (to a lesser extent) British black and Latino culture and art. This result in a pastiche of autobiographical political essays and art criticism along with transcripts of performance pieces developed in collaboration with performance artist and poet Guillermo Gomez-Peña. These include Andres Serrano, Pepon Osorio, Lorna Simpson, Graciela Iturbide, Lourdes Grobet, Yolanda Andrade, Juan Sanchez, Ana Mendieta, Catalina Parra and the film collectives Black Audio and Sankofa.
This item is referenced in the Making Routes Study Room Guide (P1964).
On the historical role of cultural institutions in Croatia.
Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.
An anthology that explores the rise of activist public art that agitates for social change.